Yes. We work with theatres on both traditional pantomimes and other Christmas productions.

Whether you’re staging a classic panto, family Christmas show, musical, festive adaptation or something less traditional, we develop the creative around the individual production, its audience and your marketing objectives.

We can develop the complete creative campaign or support you with individual elements. This can include title treatments, key artwork, posters, outdoor advertising, programmes, season brochures, social media assets, website graphics, digital advertising, email campaigns, tickets and hospitality materials.

By developing these assets from a consistent creative direction, your campaign remains recognisable from the first announcement through to the final performance.

Yes. We develop creative identities specifically around individual productions rather than relying on a standard festive template.

We’ll consider your story, audience, theatre, casting and marketing objectives before exploring elements such as typography, illustration, photography and colour. The result is a creative direction that feels distinctive to your production while remaining flexible enough for your marketing team to use throughout the campaign.

Yes. We design programmes that complement the wider campaign while giving audiences something engaging to enjoy and take home.

Programmes can incorporate cast and production information, photography, editorial content, advertising and activities for younger audiences. We can also help you explore formats, finishes and print options that balance production costs with the potential to generate additional revenue.

Yes. We have a library of children’s games, puzzles and activities that can be incorporated into your programme.

They’re a simple way to add extra value for families and entertain younger audience members without creating additional content for your team to produce.

Yes. Our campaigns are designed to work across print, digital and in-venue marketing.

Once the core creative direction is established, we can adapt it for everything from posters, brochures and programmes to social media, websites, digital advertising and email campaigns. This helps create a consistent audience experience across the whole campaign.

Yes. We work closely with Bishops Printers, which means print production can be considered from the beginning of the design process rather than as an afterthought.

We can help you choose appropriate formats, paper stocks and finishes for your budget, from cost-effective stitched programmes to premium publications incorporating specialist finishes.

Yes. We understand that programme unit cost can have a direct impact on the revenue generated from programme sales.

Our relationship with Bishops Printers enables us to offer competitive programme printing while helping you make informed decisions about format, pagination, paper and finishing. The aim is to achieve the right balance between a programme audiences want to buy and a production cost that works commercially.

Yes. If you want to make your programme feel particularly special, we can explore premium papers, specialist print finishes and personalised elements.

This could include digitally printed covers for VIPs or other variations alongside the main programme run. Because design and print are planned together, these details can be considered early and incorporated efficiently.

We know theatre campaigns rarely stand still. Casting announcements, photography, sponsor requirements and production details can all change as opening night approaches.

We build flexibility into the campaign from the outset and provide responsive creative support when updates are needed. Our online proofing process also helps keep feedback centralised and reduces confusion between different artwork versions.

Yes. We can support the process from initial creative concepts and artwork through to print and distribution.

Working closely with Bishops Printers and The Mailing People means production and mailing requirements can be considered alongside the design. It gives you one connected team managing the process rather than having to coordinate several separate suppliers.